“I do not want to be relieved from any obligation,’ said he, goaded by her calm manner. ‘Fancied, or not fancied — I question not myself to know which—I choose to believe that I owe my very life to you — ay — smile, and think it an exaggeration if you will. I believe it, because it adds a value to that life to think — oh, Miss Hale!’ continued he, lowering his voice to such a tender intensity of passion that she shivered and trembled before him, ‘to think circumstance so wrought, that whenever I exult in existence henceforward, I may say to myself, All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!” And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one—nay, you must, you shall hear'—said he, stepping forwards with stern determination—'to one whom I love, as I do not believe man ever loved woman before.’ — North and South
“I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine.” — Persuasion
After a silence of several minutes, he came towards her in an agitated manner, and thus began,“In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” — Pride and Prejudice
“I tell you I must go!” I retorted, roused to something like passion. “Do you think I can stay to become nothing to you? Do you think I am an automaton?–a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!–I have as much soul as you,–and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;–it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal,–as we are!” — Jane Eyre
tracklist: real talk [bloc party], all eyes on you [st. lucia], toy soldiers [marianas trench], fixin’ [walk the moon], what you wanted [one republic], she’s thunderstorms [arctic monkeys], take care [drake feat. rihanna], the healing [bloc party], btsk [ms mr], biting down [lorde], sixteen shades of black & blue [fujiya & miyagi], mercy [iamx]
so i celebrate your chemistry if you bond with me i could make your whole world sweet i’m on my knees
“In the movie, Killmonger is, like Ryan Coogler, a native of Oakland. By
exploring the disparate experiences of Africans and African Americans,
Coogler shines a bright light on the psychic scars of slavery’s legacy
and how black Americans endure the real-life consequences of it in the
present day. […] T’Challa and Killmonger are mirror images, separated only by the accident of where they were born.” — TIME
character concept: two people who have been reincarnated for thousands of years and have always found eachother but instead of being in love they just fucking hate eachother